Rocking into theaters with a level of fan anticipation second only to the legions of screaming Twilight fan girls, the comic-to-film adaptation of Bryan Lee O’Malley’s graphic novel series “Scott Pilgrim” is here. Following a whirlwind fan-courting press tour, the newest film by Shaun of the Dead director Edgar Wright certainly feels big. You might have read the books [FULL DISCLOSURE: I haven’t read past book one. Please don’t hurt me.] but does the movie stand up to its’ tagline? Is Scott Pilgrim vs. The World an “epic of epic epicness”?
For the uninitiated, our hero Scott Pilgrim is a nebbish 22-year-old loser (played by who else but eternal nebbish loser Michael Cera) who is in a band and currently dating a 17-year-old girl and getting teased about it by everyone around him. Then he meets the swoon-worthy Ramona Flowers at a party, weasels her into a date, and impresses her with his band. However, there is a catch. In order to go out with Ramona, Scott must face her seven evil ex-boyfriends and defeat them, in an entirely serious video-game-laden sense of the term, to win her heart.
As faithful to its source material as last year’s Watchmen adaptation, “Pilgrim” goes to great lengths to preserve the look, feel, and words of the graphic novels. A recent YouTube mash-up where a fan recreated the movie’s trailer from scans of the comic’s pages nearly word for word is not far off from the final product. The movie’s unique visual style is complete with on-screen onomatopoeia, split-screen panels, and even some actual O’Malley artwork.
Scott Pilgrim is the first movie that is truly, unabashedly for the millennial generation– the 18-30 year olds who grew up playing video games, consuming pop culture, and surfing the internet, all while putting off adulthood as long as possible. This is both the film’s biggest strength and its greatest weakness. From the minute the Universal studio logo and theme appears pixilated and scored to 8-bit music, you are made aware that the entire movie is one giant paean to gaming, garage bands, and pop culture riffs. Each evil boyfriend is a “boss” in an elaborate video game, even exploding into coins upon defeat. Pixilated weaponry appears from nowhere. The clever and well-executed sound design in the movie is laced with gaming references, emoticons, on–screen indicators, even laugh tracks and sound bites from a certain 90’s sitcom. If you did not understand the last few sentences, turn away now.
While the sheer amount of Generation Y ephemera makes watching Scott Pilgrim a joy for the college crowd, it can also be brought down by that same crowd’s Internet-addled attention span. In an effort to squeeze six volumes of content into a two-hour movie, director Wright must blaze through the plot at a breakneck speed. This Attention Deficit Hyperactivity Direction makes it extremely hard to give two shakes about any of the characters or even comprehend what is going on for the introductory phase of the movie unless you come in as a Scottaholic. There are a massive amount of paper-thin people to get to know and a ream of paper-thin plot points to cover to make the fanboys happy. But, like a movie whose Adderall finally kicks in, the plot finally focuses in the back half and becomes more and more comprehensive and enjoyable until the final battle with Jason Schwartzman’s Gideon is an epic four-person melee of fun.
If you haven’t figured it out, Scott Pilgrim vs. The World is not your typical movie. It is a very entertaining, hilarious movie, but one that is very, very much for anyone under 40. Anyone who fits that bill will probably eat up this love letter to the Nintendo generation. It probably won’t bring in the masses, forever consigned to cult-hit status, but will likely be a dorm room staple in the years to come, which earns this movie an extra life.